Wachowski has also included several cast members from her Netflix series “Sense8” in smaller roles.Īt its core “The Matrix” has always been anchored by its grand love story, with Trinity’s faith (assisted by prophecy) having helped Neo embrace his messiah-like destiny. The principal additions are Yahya Abdul-Mateen II as a new version of Morpheus, Jessica Henwick (“Iron Fist”), Jonathan Groff and Neil Patrick Harris, with Groff enjoying perhaps the juiciest of those parts and clearly relishing it. Clearly, there’s been a glitch in the program, one that will require drawing him back into the previous worlds he occupied and introducing characters to function as his guides. Spoilers are understandably a concern with this sort of eagerly anticipated genre movie, but the one benefit of “Resurrections” is that it’s not entirely clear what there is to spoil.Īs the trailer has revealed, some time has passed, and Neo/Thomas Anderson (Reeves) has moved on, while Moss’ Trinity harbors no memory of him. Although the previous “Matrix” sequels marked a steep decline from the freshness of the original, compared to this film’s missteps all is forgiven. Instead, Wachowski has conjured a film that falls into its own kind of strange nether realm, mixing nostalgia and self-referential callbacks with what feels like a redo of fundamental elements, without satisfactorily explaining (despite scads of exposition) how we got from the earlier trilogy to here. Although director/co-writer Lana Wachowski slyly comments on the commercial nature of the undertaking and it’s nice seeing Keanu Reeves and Carrie-Anne Moss reunited, the better plan in hindsight might have been to completely reboot the system. Complicated in the best of times, “The Matrix Resurrections” is simply convoluted, a collection of flashy digits that don’t add up to much of anything.
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